Evaluation Question 2

How effective is the combination of your main product and ancillary texts?

To measure how effective the combination of our main project (the music video) and our ancillary texts (the magazine poster and the digipak) are, we must first see how well they combine in real products of the same genre. For example, here is the album artwork and magazine advert from Tinie Tempah's 'Written in the Stars':



It is obvious to see straight away that the two are from the same product. There are many notable features that link the pictures to each other:

• The picture used is the same on each
• The text used in each follows the consistent house style
• The colours are the same

So they link in well with each other, but how well does this combine with the video? Here are some screen shots from the a scene in the video of Written in the Stars that links in well with the images:

Clothing and accessories (e.g. Sunglasses) match that of the images

The colour scheme and blue tint on the video is similar to that of the images

The artist's pose in the images can also be seen in the video

The images also link in with the concept of the video:

• A blend of stars and other elements of space are in the image
• The artist's pose looks like he is deep in thought, and the low angle shot makes him look powerful and important, linking in with the theme of destiny in 'Written in the Stars'

We can see from the above example that to combine effectively with each other, a music video, a digipak and a magazine poster must all conform to a consistant house style. We can see that things like text, colour, mise en scene and concept all form the house style. Knowing this, how well does our project follow a house style?

Our Work

We must first identify important symbols and themes in our video that collectively form part our house style:

• Fireworks, fire, burning
  
• The girl, photographs
  
• A feeling of reflection on the past, reminiscence, regret

These themes were strong in our video, and so it made sense that to effectively combine our ancillary task with it, they must carry over to the images we make. Our video was about the burning up of relationships, shown metaphorically by Remi's acting and literally by the burning photo at the end; It also carried a theme of fireworks, as a metaphor for a troubled mind. In order to link our ancially task into the video, we felt it necessary to carry over this concept into our images:

Aside from retaining consistency in our concept, we also had to keep the text consistant. There is no text in the video, but everything written on our ancillary images is in the font 'Roadway', this helps to indentify the products as coming from the same group.


The continuity of the font helped to link and combine all elements in our ancillary task, but it created no links to the video. To further link to our video, we used similar colour schemes in our ancillary task as we did in our main to help combine the two together, as well as link the ancillary in with itself. I think that this was a very effective way of combining the two as, similar to the artwork for 'Written in the Stars', it allows a clear visible link to exist between the two parts of the project, and along with the links in the concepts between each, ensured that both sides of our work were reconised to be related.


I think that our ancillary task and our music video combine very effectively. We have a continuous concept, colour scheme and font and image through all our work. I think it would be clear to an audience that aspects of our work are all from the same project.

Evaluation - Question 3

What have you learned from your audience feedback?

A music video is judged on how the viewer responds to it. It is created for a specific target audience, so it is logical to ensure we receive feedback from the said audience when making our video. After gathering a number of individuals within the bracket of our audience to view the rough cut of our video, we collected their critical feedback. Each person viewing the rough cut was given a small piece of paper and asked to write their opinions on our video and sugest areas that could be improved. Here are the slips returned to us:

We noticed that alot of the people who watched the video had observed problems in lip syncing, both from our actor and from our timing with the music. These problems were corrected by using different scenes over areas of poor miming from our actor (as we filmed each verse several times in several locations) and by reshuffling the video on final cut so that is synced with with the music better.
Another problem people spotted was the fact that the burning scene at the end, while many said it was good, had no real relevance to our video. To fix this, we added two new scenes, one with a picture of the girl, in which it is clear there is a history between the two, and another in which we see Remi (our actor) striking a match and setting the picture on fire. Paried with the stamping of the framed picture earlier, we hope we have made it clear that he is angry with this girl and that there is a complex history between the two.
Finally, many people noticed that the scene in which Remi drinks vodka is not very realistic, as it is clear that he does not actually drink it. Unfortunately, we are unable to fix this at this late stage as we no longer have the resources we need to do so.

Finally, we interviewed a section of our target audience to see what they thought of our final work. here is is:

Evaluation Question 1

In what ways does your media project use, develop or challenge forms and conventions of real media products?

To understand how our project relates to conventions of other products we had to first understand what they were. Through our research we discovered the forms and conventions of a R&B video. Andrew Goowin's theory defines conventions like so:

ANDREW GOOWIN’S THEORY • Visuals either illustrate, amplify or contradict the lyrics and music.
• Genres often have their own music style/iconography.
• Close ups should always be included.
• The artist/band might want o develop their own star iconography, which become their stars image, Voyeurism is common theme within music videos
• Intertextual references are also popular.
• Goodwin argues that the female performer is frequently objectified principally for display purposes, often through a combination of camera work and editing with fragmented body shots emphasising a sexualised treatment of the star.

By this theory, our video fits well into the forms and conventions of a music video as:

• Our visuals both illustrate and amplify the lyrics of the music. Lyrics are sometimes illustrated, such as when Drake said 'that's who I make the paper with' Remi chucked money over his shoulder, to show he has it in abundance. At other times lyrics are amplified, such as when Drake says 'where's the magic' in a prolonged tone, Remi's actions reflect a similar mood, the lyrics as a whole are amplified by the feel of our video.
• We use close upsto show Remi's emotion
  
• Remi is presented in a consistent style throughout the various areas of our work
• The female in our video is for display purposes, but not objectified, she helps tell the story.

Our video also fits into the sub conventions of our R&B genre, breaking the genre down into its various aspects, we can see how our video fits in with others in the same/a similar genre:

(click to enlarge)

So our video followed and used conventions in its use of colour correction, transitions and shots, but challenged the conventions of our genre with its narrative, which is usually reserved for more indie music. Our use of mise en scene both challenged and conformed to conventions in its use clothing, Formal and casual clothing are both conventional, but blending the two is rare. Our videos ending with the burning picture defies convention in its duration and style. However we felt it fit well into our video and genre, despite not being conventional. I think here we have successfully challenged a convention with good effect.

Like the ending, the intro was also unique to our work and didnt't use convention. However most videos in our genre have their own unique type of beginning. For example 'Dead and Gone' starts with a bible quote, 'Whatever you like' starts with a short story and the intro to 'Not afraid' is a slow zoom into Eminem standing on a roof. It seemed there was no set convention on how to open videos in this genre, other than to do it your own way. So I think that while being uncommon, our firework overlay and cuts to different scenes are, although unique, conventional.

Our video also contains other, rarer features of music videos. However they still do all use develop and challenge conventions of real products:

Our use of height in the video makes use of a trait we noticed scattered around videos in our genre. 'Written in the Stars' is a good example of where height has been used to good effect in a music video. Our video uses this convention to achieve a similar effect.

Our video also makes use of Strobe lighting, as is seen in some professional works. However we developed the convention further by using it with a firework overlay, making the Strobe light add to the firework effect were trying to create.

Finally, all professional music videos have a correlation between the audio and video, and it is this that allows the video to flow well and draw in the audience. It is an important convention, and our video makes use of it by using a different style in different areas. When Drakw was rapping, or singing his part of the chours, then the camera would be mostly moving, like the verses. But when it came to Alicia Key's pert of the song, which is much slower and more relaxed that Drake's part, we slowed the video down to match. In these slowed down sequences, we told our story. Another example is at the end of the video; the song trails off slowly, so we made the video do the same with an extended shot of a burning photograph, that I think made a nice, conventional conclusion to our work.

Ancillary Task

Like our video, our ancillary task images use, challenge and develop convention. Below, I have compared our works with similar professional works.

In our album's front cover we use, develop and challenge the forms and conventions of real media products, Our use of a firework overlay is not common, but is not unconventional, as overlays can be seen in album covers such as Tinie Tempah's 'Written in the Stars'. Our use of Font is also conventional, as we used strong bold lettering, as can be seen on T.I's 'Whatever you Like'. We did not use an image on our cover, when convention dictated that we must, here we develop conventions from other genres, such as House (a good example is 'When Love Takes Over') and bring them into our genre effectively.

Our CD challenged convention more than any other piece of work we did. A conventional CD artwork from our genre would be dark, plain and have something linking to the album (such as bullet holes). In our work we made a fairly light cover to fit into our product's house style, but we did use conventional fonts and layouts, so it will be identified as part of our genre. The burning effects used however, I think are conventional as they link into the theme of our work, which is a feature seen on many others.

Our poster also challenged conventions of our genre. We used a 'stamp' effect to make the image of our artist look like it had been drawn, this fitted into the paper/burning theme of our work. A conventional magazine poster fits the themes of the music and the album, which ours has done, although it does not look clear and neat like a conventional poster of our genre. We did this deliberatly, developing conventions from the rock genre, where our style of poster is common, and bringing it over to our work.

Our work as a whole mostly uses conventions of real media products, however it does contain aspects from other genres and develop on them to fit our style. In doing this it often challenges conventons allready in place.

Final cut